This course consists of visual art history from pre-historic cultures through the ancient styles, pre renaissance art & early renaissance art & includes studies in African, pre-Columbian, Asian & Native American Arts 25,000 B.C.E. to 1300 C.E.
This Art History course investigates the role of the French avant-garde in developing and showcasing new modern forms and approaches to art and visual culture in the 19th century. The material addresses the most critical issues of modernity from Realism through Post-Impressionism. We will cover the stylistic changes that challenged academic art, the new subjects that confounded modern audiences, and the new roles and authority of the modern artist.
To do this, we will focus on the European world through a series of video podcasts and online readings over five weeks. By the end of the course, you will understand the issues of modernity and the way that art and art-making addressed these issues as well as recognize the profound impact that 19th century Europe had in shaping our contemporary ideas of being “modern.”
Course runs until February 14, 2017
Session 1: Modernity And Realism
Session 2: The Visual Culture Of Modern Europe: New Technologies, New Venues, New Ideas
Century Photography & Manet: Realism beyond Courbet
Session 3: Impressionism: Problems And Issues Then And Now
Impressionism: The Heroization of Modern Life, Complications with Painting and Envisioning Modern Sculpture
Session 4: Post-Impressionism And Artistic Genius
Post Impressionism: Cezanne’s Critique, Beyond Cezanne: George Seurat, Gaugin and Myth and Primitivism and Van Gogh – Beyond the Myth of Artistic Genius
Session 5: Edges And Resistance
The Arts and Crafts Movement and Art Nouveau