FUN

Mettre en scène est un métier (FUN)

Offered by École Charles Dullin,
Mettre en scène est un métier (FUN)

L'école Charles-Dullin vous propose le premier Mooc sur "mettre en scène est un métier". Ce cours porté par Robin Renucci et écrit par Anne Buxerolle et Quentin Rioual analyse pendant six semaines la question de l'émergence de la mise en scène en tant que métier, au tournant du XIXe et du XXe siècle. Il interroge l’Histoire afin d’éclairer les pratiques actuelles.

Vous pourrez affirmer vos propres choix de mise en scène grâce à une meilleure connaissance des pratiques et à nos questions. Un exercice chaque semaine et une évaluation par les pairs en fin de cours vous permettront d’expérimenter par vous-mêmes les grands courants de l’histoire de la mise en scène.

Format
Le cours se déroule sur 9 semaines : pendant les 6 premières, une partie du cours, composée de 4 vidéos d’une dizaine de minutes, vous est proposée. Pour ceux qui ont pris la formule avec la pratique, une interview exclusive d’un metteur en scène et un exercice vous sont proposés chaque semaine, ainsi qu’un exercice final sous forme d’évaluation par les pairs. Cet exercice final dure trois semaines (deux pour produire l’exercice, une pour évaluer vos pairs).

Plan du cours

Semaine 0 : Découverte de la plateforme
Semaine 1 : L'apparition du metteur en scène, artiste d'un genre nouveau
Semaine 2 : Les réformateurs
Semaine 3 : Mettre en scène avec tous, pour tous et contre tous
Semaine 4 : Mettre en scène : rassembler, agiter, agir
Semaine 5 : Mettre en scène avec et contre les institutions
Semaine 6 : L'émancipation définitive du metteur en scène

Prérequis
Ce Mooc ne nécessite aucun pré-requis particulier si ce n'est un intérêt pour la mise en scène. Il s’adresse aux comédiens voulant faire de la mise en scène, aux metteurs en scène et comédiens des troupes amateurs et professionnelles, aux enseignants et aux artistes intervenants dans les ateliers d’éducation artistique à l’école ou dans les conservatoires, aux animateurs au sein d’associations et de fédérations d’éducation populaire, dans les structures de théâtre forum ou d’expression citoyenne, à tous les intervenants artistiques qui pratiquent le théâtre dans des lieux multiples, enfin à tous ceux que la mise en scène attire.

Go to Class
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