Douglas Kearney

 

 


 

Poet/performer/librettist Douglas Kearney's third poetry collection, Patter (Red Hen Press, 2014) examines miscarriage, infertility, and parenthood. Cultural critic Greg Tate remarked that Kearney’s second book, National Poetry Series selection, The Black Automaton (Fence Books, 2009), “flows from a consideration of urban speech, negro spontaneity and book learning.” He has received residencies/fellowships from Cave Canem, The Rauschenberg Foundation, and others. His work has appeared in a number of journals, including Poetry, nocturnes, Pleiades, Iowa Review, Boston Review, and Callaloo. Raised in Altadena, CA, he lives with his family in California's Santa Clarita Valley. He teaches at CalArts.




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Dec 5th 2016

Why just write poems when you can write better ones? This course is built on the notion that the most exciting writing begins after the first draft. It is specifically for folks who believe that writing poems just to express oneself is like using the Internet just for email. After all, poetry can change the way you and your readers think of the world and its inhabitants; it can break new ground for language; turn a blank sheet of paper into a teeming concert of voices and music.

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