Touring Modernism: From the French avant-garde to American Pop and Beyond (kadenze)

Touring Modernism: From the French avant-garde to American Pop and Beyond (kadenze)
This dynamic course focuses on the history of modern and postmodern art from the 19th and 20th centuries, with an emphasis on major works found in the collection of the renowned Art Institute of Chicago. Painting, sculpture, photography, and other media, placed within a larger socio-political context, will reveal how aesthetic expression proves a compelling barometer of the modern human experience.

From the advent of European democracy and the parallel birth of the avant-garde artist, whose singular vision boldly shattered prevailing styles and norms, to the radical rise of abstract painting and the even more provocative introduction of everyday objects into works of art, this course will unfold modernism’s defiant embrace of the new. This course will engage the major issues of twentieth-century aesthetic practice, from Freud’s description of the unconscious and the play of dreams as fertile source material for the artist, to the explosive rise of pop art and the dizzying information age that has profoundly shaped contemporary practice. To closely study modern and postmodern art is to learn how to look at the world, to take notice of form, color, and image, and to respond to the richness of visual and material culture that is all around us.

This course will not only provide a canonical repertoire of great works of historic art, as well as the context for understanding them, but through the unfolding of such a narrative, these lectures will allow new ways of observing one’s own contemporary world and reimagining its value.


SCHEDULE


Session 1: The Rallying Cry Of The Avant-Garde

Romanticism and Realism

Session 2: The Power Of Form And Emotion Of Color

Impressionism and Post Impressionism

Session 3: The 20th Century Explodes

Fauvism and Cubism

Session 4: Painted Blueprints Of Utopia

Kandinsky, Mondrian, And Malevich

Session 5: Pranksters, Tricksters, Revolutionaries

Dada Breaks the Mold

Session 6: Surrealist Dreams

Courting the Unconcious

Session 7: The Last Gasp Of Modernism

The heroics of the New York School

Session 8: The Romantic Sublime/ American Style

The New York school and Abstract Expressionism

Session 9: Pop And Its Legacy

Pop art

Session 10: Minimalism And The Phenomenology Of Being

Minimalism

Session 11: Critiquing The Institutions Of Art

Earthworks, Body, and Conceptual Art

Session 12: The Cacophony Of Postmodernism In The Information Age

Postmodernism and beyond