E.g., 2016-08-28
E.g., 2016-08-28
E.g., 2016-08-28
To Be Announced

Curso dirigido a cuestionar las prácticas comunes del campo del diseño instruccional. Se da una mirada crítica al diseño de cursos y módulos instruccionales, y se analizan marcos de referencia alternos que permiten que los participantes puedan diseñar para un currículo del siglo 21.

Average: 2.3 (3 votes)
Sep 12th 2016

Introducción a la Estética y la Teoría del Arte en el siglo XVIII. Aproximación a las principales corrientes, obras y autores durante el periodo de la Ilustración, con especial énfasis en las aportaciones de Joseph Addison, Francis Hutcheson, David Hume, Edmund Burke, Denis Diderot, Alexander Baumgarten, Gotthold Ephraim Lessing, Immanuel Kant, J. G. von Herder y Friedrich Schiller.

Average: 3 (3 votes)
Sep 6th 2016

Comics are one of the most popular and exciting ways to tell a story. This course offers a look at the fundamental building blocks of the comic book medium. Exploring panel to panel transitions, text to image relationships, and the intricacies of page layouts, students will examine new and innovative ways to bring their stories to life. This course is designed for both beginning and advanced visual artists.

Average: 7.3 (3 votes)
Sep 5th 2016

Técnicas de modelado y racionalización de geometría orientadas al diseño arquitectónico. Cómo generar forma a través de relaciones geométricas. Introducción a Grasshopper en Rhino. Este curso introducirá al alumno al uso de herramientas de modelado algorítmico y programación visual para la generación de forma. El diseño paramétrico se ha posicionado como una técnica muy poderosa para la optimización del diseño y el lenguaje arquitectónico.

Average: 10 (1 vote)
Sep 1st 2016

A MITx/HarvardX collaboration, this course explores Japan’s transition into the modern world through the historical visual record. This MIT and Harvard co-taught course examines Japanese history and uncovers the skills and questions involved in reading history through digital imagery.

Average: 7.5 (4 votes)
Aug 29th 2016

This course will examine the music industry in the United States, with the unique perspective gained by Vanderbilt University’s location in Nashville, TN. Nashville is a major center of music in the United States, and the music created here has a global reach, particularly in the country, rock, pop, singer-songwriter, and Americana genres. However, students will learn that the basic principles of recording, marketing, copyright, licensing, and live performance are the same, regardless of musical style or genre.

No votes yet
Aug 29th 2016

When John F. Kennedy entered the presidential limousine at Love Field in Dallas, Texas on November 22, 1963, he began his ride into history. That journey continues even today and we call it the Kennedy legacy. This course will explore the Presidency, assassination, and lasting legacy of President John F. Kennedy. Students will learn how JFK’s life, administration, and tragic death have influenced the general public, the media, and each of the nine U.S. presidents who followed.

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Aug 29th 2016

Your style is as unique and distinctive as your face, your voice, except that you can choose it, you can can work on it, enhance it. In this course we will introduce aspiring writers to the art of putting pressure on written language. We will study the use of metaphor and imagery, and demonstrate how clarity, grace, and inventiveness in word choice are imperative to a story’s success. Writers will emerge with the revision skills essential to all writers of good stories and good prose.

Average: 2.7 (18 votes)
Aug 29th 2016

In this project-centered course*, you will create an original four page minicomic designed around a short story of your choosing.

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Aug 29th 2016

In this course aspiring writers will be introduced to the techniques that masters of fiction use to ground a story in a concrete world. From the most realist settings to the most fantastical, writers will learn how to describe the physical world in sharp, sensory detail. We will also learn how to build credibility through research, and to use creative meditation exercises to deepen our own understanding of our story worlds, so that our readers can see all that we imagine.

Average: 6 (13 votes)
Aug 29th 2016

In this course aspiring writers will be introduced to perhaps the most elemental and often the most challenging element of story: plot. We will learn what keeps it moving, how it manipulates our feelings, expectations, and desires. We will examine the choices storytellers make to snag our imaginations, drag them into a fictional world, and keep them there. We will learn how to outline and structure a plot, discuss narrative arc, pacing and reversals and reveal the inevitable surprise: connecting the beginning, middle and end.

Average: 6 (1 vote)
Aug 29th 2016

This course provides an overview of Thomas Jefferson's work and perspectives presented by the University of Virginia in partnership with Thomas Jefferson’s Monticello. Together, UVA and Monticello are recognized internationally as a UNESCO World Heritage Site.

Average: 5.5 (2 votes)
Aug 29th 2016

In this project-centered course*, you will create sounds and use them in your own musical compositions. Whether you're an aspiring producer, composer, or hobbyist, this course will help you gain skills in music production and confidence using software synthesizers. Along with your classmates, you will create a massive database of designed sounds, or patches, to use in your compositions. As part of the course, you will work with a free version of FXpansion Strobe 2.

Average: 6.3 (3 votes)
Aug 29th 2016

From small farms to urban neighborhoods, from the region itself to the more distant worlds of the southern diaspora, we discover the stories, music, and art of the American South.

Average: 6 (2 votes)
Aug 29th 2016

Welcome to Course THREE! In the first two Modules you will gain a more professional-level understanding of the Design Elements that artists have used throughout history to create successful compositions. Arranging the Elements in ways that lead viewers through their compositions is an essential craft for photographers no matter whether their subject matter is pure documentary or vividly exotic personal expression.

Average: 7.5 (2 votes)
Aug 29th 2016

This condensed survey course focuses on four key periods or themes from the history of design. Together we’ll trace the emergence of design as a recognized practice, why things look the way they do, and how designers approached specific design problems in their work.

No votes yet
Aug 29th 2016

This course introduces students to strategies for style writing of common practice European art music. The issues of harmonic progression, voice leading, and texture are addressed in addition to relevant compositional concepts like repetition, variation, and elaboration. The course aims to offer a creative space even within the restrictions of stylistic emulation.

Average: 7.7 (3 votes)
Aug 29th 2016

In this course you will explore concepts and approaches involved in creating successful character designs that can be applied to video games. Following a first week delving into some foundational concepts for successful character design, each of the remaining three weeks are structured as a "master class" where you will observe three professional character designers at work in the studio: Andy Ristaino (Adventure Time), Jacky Ke Jiang (Journey), and Robertryan Cory (SpongeBob SquarePants).

Average: 9 (1 vote)
Aug 29th 2016

This course covers the design, acquisition, and analysis of Functional Magnetic Resonance Imaging (fMRI) data.

Average: 10 (1 vote)
Aug 29th 2016

During this course, we’ll be making exploratory images to expand your visual vocabulary. We'll create pieces that are expressive, meditative, or 'design-y' to instigate, evoke, experiment, record, explain, or to try out a media. The first two weeks are experimental and exploratory; we won’t be concerned with meaning or communication (although, to be honest, every image does exist in a context, and therefore communicates—or can convey—meaning, connotation, associations, and expressiveness).

Average: 3.3 (3 votes)

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